The songs that are being “elevated” are songs by women. Can you explain yo me how it came to be that these Jewish so called frum composers heard these songs in the first place to then be able to make it “elevated” and Jewish?
It seems clear to me that people in the Jewish music world are listening to non Jewish music kol isha and all the other filth that you hear by listening to non Jewish music. These people have polluted their neshamos and lost their sensitivity for what is fine decent and holy they are in NO position to “elevate” any of these songs. You have to be elevated to elevate. Most people in the Jewish music scene are not elevated people. The few who are surprisingly never use non Jewish songs. I wonder why.
Interesting. First, let us compare this to your previous statement:
you will notice that whenever the Jewish songs that were taken from non Jewish songs are played (talking about recent songs taken from a certain low life immoral woman in the non Jewish music business) there’s a certain very prust and very wild energy that takes over the dancing.
and:
the fast songs are prust, were written with low intentions in mind with all kinds of inappropriate dance moves and all that.
Seems to me, that either you have listened to the songs yourself, or else you have been mekabel lashon hara about the jewish singers.
In any event, I cannot concur with your presumption that all the Jewish singers must have listened to those songs. Likely, for at least some of the Jewish singers, someone else told them about it, and got them sheet music or something.
In any event, I don’t really think it is relevant whether they Jewish singers listened to it. I don’t agree with the premise that just because they listened to a prust song, that nothing holy can come from these jewish singers.
Moreover, I retract my agreement that I could have said it nicer. I was accused of having assimilated, and I responded to that perfectly appropriately.